By Dean Treadway
In the realm of horror movies, Jack Clayton’s The Innocents is beyond reproach. And we all realize the horror genre is overflowing with creepy kids. But in the realm of movies about children–the subject of this ongoing series–how does this film fare? The answer is complicated, but assured.
In this exquisite adaptation of Henry James’ The Turn of the Screw, the images are boldly frightening, sexually suggestive, deceptively lush, and idiosyncratically shot in dreamy black-and-white Cinemascope by Freddie Francis. Deborah Kerr, in her own favorite of her many acclaimed performances, plays a repressed nanny whose new charges–the alternately rambunctious and preternaturally mature orphans Pamela Franklin and Martin Stephens–prove to be more than her nerves or her faith can take. Is this secluded mansion she now oversees haunted by the ghosts of two sexually libertine servants? Or is she merely being put through the ringer by a couple…
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